The Tsar is having his daughter Zabava marry a charmingly handsome and a handsomely charming Paul, a rich heir and a foreign fancy pants. However, it's a bit of a challenge, since Zabava wants a marriage of love, not of calculation. Her unexpected encounter with sailor Ivan, a simpleton yet an honest and endearing guy, messes up Paul's plans of snatching the crown. Deeply in lo...
The Tsar is having his daughter Zabava marry a charmingly handsome and a handsomely charming Paul, a rich heir and a foreign fancy pants. However, it's a bit of a challenge, since Zabava wants a marriage of love, not of calculation. Her unexpected encounter with sailor Ivan, a simpleton yet an honest and endearing guy, messes up Paul's plans of snatching the crown. Deeply in lo...
Determined to gatecrash her ex-lover's funeral on glamorous French hideaway Ile-de-Re, former Hollywood siren Helen (Joan Collins) escapes her London retirement home with the help of Priscilla (Pauline Collins), a repressed English housewife stuck in a bad marriage. Pooling their limited resources, they hit the road together by coach, ferry, car and foot in a race to get to the funeral on time, becoming entangled in a love triangle with a reclusive French millionaire (Franco Nero) along the way. On this unforgettable journey, they find true friendship in one another - and have the time of their lives.
The Tsar is having his daughter Zabava marry a charmingly handsome and a handsomely charming Paul, a rich heir and a foreign fancy pants. However, it's a bit of a challenge, since Zabava wants a marriage of love, not of calculation. Her unexpected encounter with sailor Ivan, a simpleton yet an honest and endearing guy, messes up Paul's plans of snatching the crown. Deeply in lo...
Weaving the thrills of murderous mayhem with sparkling characters and a surprising hint of tenderness, HOW TO MAKE A KILLING promises us an irresistible crime comedy in the vein of Fargo and Shallow Grave.
“Old White Man” examines the generational and cultural divide in today’s society through the lens of Heinz Hellmich, a middle-aged family man on the verge of losing his job after a series of communication blunders at work. Desperate to prove he’s not just an “old white man,” he invites his boss and guests to a dinner party, aiming to present his family as modern and “woke.” How...
Nothing is more frightening, as the narrator points out, than a ‘time-rich nosy person’. Exhibit A is Ahn Geo-ul (Gyeong Su-jin), who commits herself to social justice causes with terrifying tenacity. After temporarily renting a unit in the Baek-sae Apartment building, she discovers that a loud, hard to locate banging noise occurs from 4am every night, making the residents’ liv...
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Nothing is more frightening, as the narrator points out, than a ‘time-rich nosy person’. Exhibit A is Ahn Geo-ul (Gyeong Su-jin), who commits herself to social justice causes with terrifying tenacity. After temporarily renting a unit in the Baek-sae Apartment building, she discovers that a loud, hard to locate banging noise occurs from 4am every night, making the residents’ lives an insomniac hell – and so she determines to engage in her own disruption and to find the culprit of this acoustic assault, simultaneously eliminating her eccentric neighbours as suspects, and recruiting them to her cause.